Alicia MANSO SAN ISIDRO
Itaque sine musica nulla disciplina potest esse perfecta: musical iconography in hispanic romanic sculpture
Itaque sine musica nulla disciplina potest esse perfecta: la iconografía musical en la escultura románica hispana
Published in Music in Antiquity, Middle Ages & Renaissance
Keywords: Keywords: Instruments, King David, Last Judgement, Middle Ages, Minstrels, Music, Romanesque sculpture.
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04._aliciamanso.pdfThe presence of musical iconography in medieval art, particularly in Romanesque sculpture, is enormous. Thus, in this article we will focus on the chronology from the 11th to the 13th century, analyzing the most important examples on the most representented topics: the Final Judgement, King David, and profane scenes. Musical instruments are represented in both non-religious and religious scenes, included as a reflection of biblical texts with a profound theological content. Analyzing the representation of instruments gives us information about iconographic influences, that begin with the miniatures in the Beatos. Moreover, this analysis is useful regarding organology and musicology, assessing the verisimilitude of these representations with a multidisciplinar methology.