Ian N. WOOD

Ricardo da COSTA, Renan Marques BIRRO

Ilaria L. E. RAMELLI

Epicureanism was seen by its opponents, both ‘pagan’ and Christian, as the philosophy of pleasure and atheism. From the theological point of view, the accusation of atheism was incorrect, since Epicurus and the Epicureans admitted of the existence of deities, and posited them as models of moral perfection, while denying their interest in human affairs, i.e. providence. This denial aimed at guaranteeing their imperturbability (ataraxia). From the ethical point of view, the ideal of pleasure (hēdonē), on which I shall concentrate here, was grossly misunderstood or distorted by the opponents of Epicureanism, who generally did not take into consideration the moderation, equilibrium, and serenity that the superior ‘catastematic pleasure’ (Epicurus’s real ideal of pleasure) involved. I shall analyse the attitude of late-antique sources, especially Christian, toward Epicureanism and its ethics. A great many of Usener’s and Arrighetti’s fragments of Epicurus indeed come from Christian late-antique authors, such as Clement, Origen, Eusebius, Lactantius, and Augustine, but other patristic authors should be added, such as Basil and Gregory of Nyssa. Even if patristic interest in Epicureanism is often critical, and sometimes imprecise or distorted, nevertheless it is tangible. I shall focus on the authors who make the most interesting use of Epicurean sources, particularly with respect to the ethical doctrine: Origen, Dionysius of Alexandria, Lactantius, Ambrose, Jerome and Augustine, Gregory Nyssen, and Nazianzen, the only one who really understood and praised Epicurus’s notion of hēdonē. I shall also argue that the fading away of the availability and use of good sources on Epicureanism, along with the disappearance of the Epicurean school itself, brought about an impoverishment in the understanding of, and hostility to, Epicurus and Epicureanism.

Estelle CRONNIER

The cult of relics did not exist in the first centuries of the Christian era, but only came into being in the fourth century. After the Peace of the Church and the Christianisation of the Roman Empire, it became a constitutive element of the new religion. However, a very small number of holy graves known to exist and could be pinpointed. This could explain why a series of ‘inventions’ or miraculous discoveries happened in this time – first of all in the Eastern provinces of the Empire –, that is to meet the needs of worship. But relics were not found at just any time or place. A careful examination of the different cases in their historical context gives us a better understanding of this phenomenon.

Michael BURROWS

The aim of this paper is to add to the growing scholarship on Gregory of Tours’ Histories by investigating a series of episodes of lower class violence that occurred in Book VII of that work. It is hoped that this study will demonstrate an additional layer to Gregory’s work, and add to our understanding of his perception of authority in contemporary Merovingian society. It is also hoped that, in addition to investigation Gregory’s agenda, some light will be cast on the lower classes of Merovingian Gaul and their potential for ‘independent’ acts of violence.

Maya PETROVA

The article treats the grammatical tradition of Late Antiquity and its reception in the early Middle Ages. Bede’s rhetorical and grammatical works are analysed in the context of medieval school practice; the question of the extent to which Bede’s texts depend on Aelius Donatus’ Ars grammatica is considered; the parallels and differences between their texts are discussed.

Maria NENAROKOVA

The present article is dedicated to the Commentary on the Apocalypse by Venerable Bede. The close reading of the commentary shows that the leading topic of Bede’s commentary is missionary work. By the beginning of the eighth century, the idea of preaching Christianity to the heathens on the continent was widespread in England, especially in Northumbria. While commenting on the verses of the Apocalypse, Bede also expresses his views concerning various aspects of preaching. In the case of Bede’s commentary, the genre in question turns out to be lively and full of allusions to current events.

Laura WANGERIN

This paper is an examination of sanctification and politics in Anglo-Saxon England and Ottonian Saxony. The evidence suggests that a feud culture and feuding behaviours were the reasons for the proliferation of sanctified murdered Anglo-Saxon kings in the late-eighth through mid-ninth centuries, a phenomenon unique to England in this time period. An investigation of the nature of royal feuds in England, in contrast to those in Saxony, further suggests that the sanctification and cults of these Anglo-Saxon murdered kings were a strategic part of feuding interactions and negotiations between families. It also supports arguments for the relationship between a feud culture and the proliferation of legislative activity by the Anglo-Saxons, and offers new possibilities for understanding the dearth of legislative activity by the Ottonians.

Dimitri TARAT

In modern research it is customary to describe the 50s and the 60s of eleventh century as a first phase of the struggle for independence by the local churches in Scandinavia. All of them were officially subordinated to the church of Hamburg-Bremen, even if some of them found themselves under the influence of the Anglo-Saxon church. However, careful reading of Adam of Bremen’s Gesta Hammaburgensis ecclesiae Pontificum indicates that in fact the period at the end of the first phase of Christianisation, was a period of personal initiatives by local rulers to control the missions and religious establishments in their lands. These religious initiatives by rulers in 1050s and 1060s turned the control over the local churches into a political tool against unwelcome foreign influences. However, it would be a mistake to try and describe this period as an awakening of a national church movement in Scandinavia for ecclesiastical independence. The kings simply wanted to keep the church subjected only to them.

Annika HÜSING

The cultural turn of the twentieth century’s last quarter gradually led to a new approach to the classical objects of historical research. Historians nowadays are required to take on a ‘cultural perspective’ in the course of their studies. Using the example of a particular piece of the Lewis Chessmen this paper examines both the benefits and the limitations that come about with the cultural approach and cautions against a too rigid application.

Brigit G. FERGUSON

A late thirteenth-century Stoning of St. Stephen, currently in the Cathedral Museum in Mainz, Germany, shows the martyr smiling radiantly in the midst of his execution. In contrast to Stephen’s saintly bliss, his executioners scream in rage. The narrative of St. Stephen, from the Acts of the Apostles, reports that those present at Stephen’s trial ‘viderunt faciem eius tamquam faciem angeli [saw his face as if it had been the face of an angel]’ (Acts 6:15). Although the biblical story describes Stephen as crying out to God at the moment of his death, the makers of the Mainz relief applied the description of the saint as angelic – which they understood to mean that he smiled softly – to the martyrdom in order to highlight his joy at dying for Christ. Stephen’s calm joy makes him angelic, while the anger of the attackers makes them demonic. The Mainz relief is far from the only representation of a blissful saint in medieval art. Early Christian and medieval hagiography is full of saints who taunt their persecutors or are described as smiling while they die. This is also true, for example, in the story of St. Vincent. In contrast, the persecutors of these saints often experience debilitating, blinding rage. Drawing on visual and textual hagiographies, this paper explores the implications of martyrs’ smiles, arguing that their calm pleasure in the face of suffering both asserts the power of their belief in salvation and serves to disarm their persecutors. The contrast between calmly smiling saints and their immoderate enemies underlines the importance of emotional restraint for Christian virtue.

Anna KOŁOS

The main aim of this paper is to take a closer look at both the philosophical and religious presumptions upon which the medieval concept of curiosity was premised. Such an enterprise needs to go back to Aristotle in order to fully comprehend the limitations for curiosity introduced by St. Augustine in his City of God and developed by such medieval thinkers as Isidore of Seville and Thomas of Aquinas. These conceptions will be analysed in reference to Foucauldian archeology of knowledge. Much attention should be paid to the ideas of curiositas, admiratio and studiositas.

Sarah SCHÄFER-ALTHAUS

Within female hagiographical narratives, stimulating, pornographic, and often sadistic endeavours can be detected; gendering the tortured body parts such as the tongue, teeth or the breast and thus supporting the development of (negative) erotic fantasies. This paper will explore the connection between pornography, torture, and hagiography and investigate the ambiguity of this ‘painful pleasure’, which, despite any assumptions, is not only enjoyed by the male torturer when cutting off these symbolically significant body parts, but recurrently so it seems also by the saint herself, who more than once cheerfully exclaims that ‘the pains are my delight’ (St Agatha).

Andrea A. M. GATTI

An accurate understanding of sexual relations described in Lot’s parable in Genesis 19 constitutes an interesting key to the analysis of this episode and to its exegetic interpretation throughout the Middle Age. In this essay we will focus on two distinct moments of the account: first, the attempted rape of Lot’s divine guests by the populace of Sodom, then destroyed by God’s anger; second, the incestuous intercourses between Lot and his daughters in a remote cave, far from the burning cities of the Dead Sea’s plain. By comparing this passage with similar episodes in the Old Testament, we will try to explain those topoi in their historical and geographical context, by stressing the ethnic and genealogical background of this episode. Then, we will show different readings by exegetes of all the revealed religions during the Middle Age. Finally, Supported by textual and iconographical analysis, we will study the social and cultural implications of such readings in response to these violent behaviours and to the role played by facts and characters.

Arnaldo Sousa MELO; Maria do Carmo RIBEIRO

The aim of this paper is to analyze the major Portuguese public festivities in late XIV and XV centuries, mainly in three Portuguese towns – Lisbon, Porto (Oporto) and Braga – in order to study their relationship with the urban space. We start by studying civic and religious festivities, namely royal baptisms, weddings and enthronements, as well as royal and lordly entries in towns, but also regular festivities such as the Corpus Christi. We proceed to study the urban areas where they occurred, their itinerary, the type of festivities (street theater, processions, bullfights, music and dance...) and the ornamentation of those urban areas. Finally we will analyze pleasure connected to these different types of festivities, as well as to various social groups. Our methodology is based upon different types of sources, namely written and iconographic documents, as well as remaining medieval historic buildings and urban plans.

Vicente CHACÓN-CARMONA

Medieval nativity plays, in particular those dealing with the adoration of the shepherds, tend to depict two well distinct worlds, namely before and after the characters learn about the birth of the Messiah. English and Castilian playwrights depict the postlapsarian world prior to Jesus’s birth as a gloomy, barren place inhabited by rough ignorant creatures awaiting their redemption. Even if beauty is not staged as such in these plays, it is clear that the characters, due to their moral state, are unable to appreciate the aesthetics of their surroundings. It is the aim of this article to analyse and compare the strategies utilised by the authors in order to stimulate the characters and make beauty somehow apparent to the spectators both in the English and the Castilian traditions. Special attention is paid to the roles played by landscape, language, and music.

Helen Frances SMITH

The relationship between the textual and physical representations of the disabled or impaired body and morality is an intriguing and complex area to explore in medieval literary and dramatic culture. In medieval thought, since the body and soul were seen as inextricably linked, different sins were thought to take their own physiological effects upon the body. While sexual sin, for instance, was thought to cause leprosy, the sin of avarice was thought to cause premature ageing. Yet, physical disability or impairment, and other bodily transgressions, as cultural constructs, were not always negatively received in society. Affliction could be a means of grace rather than punishment, and there is evidence that monks even prayed for physical and mental affliction to regain a state of purity. In order to explore how disability, impairment and bodily transgression is represented in the context of sinfulness and the ageing body, this paper will use a moral spectrum of characters as well as historical evidence.

Burçin EROL

In the late Middle Ages, especially in England, displaying an abundance of food and feasting became not only an act of pleasure but also a means of establishing status and wealth, despite gluttony being one of the seven deadly sins. In the fourteenth century – due to various reasons such as increased population, crop failure, the Black Death, and the disruption of food production by warfare – feasting, the displaying of food, and indulgence in gluttony was an indicator of wealth, riches, and high status for the upper class or the social climber as it is well indicated in the works of Chaucer and some of his contemporaries.

Oya BAYILTMIŞ ÖĞÜTCÜ

Roland Barthes’s arguments in The Pleasure of the Text have brought a literary outlook to the concept of pleasure. For him, texts that do not have a closure (‘indecisive texts’) create pleasure both in the author and the reader due to polysemy resulting from writerly neurosis. Hence, the body of the text, like a physical body, becomes a site of pleasure. Chaucer’s the Parliament of Fowls presents such a site of bliss through the love debate among the birds where Chaucer depoliticises and satirises the medieval estate structure. Moreover, left open-ended, the text creates Barthesian bliss for both Chaucer and his readers. Thus, the aim of this paper is to elucidate and evaluate Chaucer’s the Parliament of Fowls as the source of textual pleasure.

M. J. CASTRO-BLEDA, J. M. VILAR, S. ESPAÑA, D. LLORENS, A. MARZAL, F. PRAT, F. ZAMORA

Computer assisted transcription tools can speed up the initial process of reading and transcribing texts. At the same time, new annotation tools open new ways of accessing the text in its graphical form. The balance and value of each method still needs to be explored. STATE, a complete assisted transcription system for ancient documents, was presented to the audience of the 2013 International Medieval Congress at Leeds. The system offers a multimodal interaction environment to assist humans in transcribing ancient documents: the user can type, write on the screen with a stylus, or utter a word. When one of these actions is used to correct an erroneous word, the system uses this new information to look for other mistakes in the rest of the line. The system is modular, composed of different parts: one part creates projects from a set of images of documents, another part controls an automatic transcription system, and the third part allows the user to interact with the transcriptions and easily correct them as needed. This division of labour allows great flexibility for organising the work in a team of transcribers.

Waldir BARRETO

Original title: Lo sublime, de la palabra al silencio

This essay presents a didactic and expositive approach the historical-philosophical deployment of the sublime’s concept since the retrieval of the term, according to its translation of the Greek into French, until the reinstatement of meaning, according to its shift from rhetoric to philosophy, through Anglo-Saxon valuation of the imagination, the birth of Aesthetics, philosophical premise, Burke’s key of terror and his distinction between pleasure and delight, the game of faculties in Kant, and the characterization of the radical informality of the sublime.