Gustavo Rocha CHRITARO

Original title: El Maestro e El Cortesano. Intermidialidade na obra literária e musical de Luis de Milán

Published in

Keywords: El Cortesano, El Maestro, Luis de Milán, Vihuela.

This paper focus its efforts on the analysis of the intermediality in the musical and literary poetics of Spanish vihuelista Luis de Milán (1500-1561). Parting from his two best-known publications, El Maestro (1535) and El Cortesano (1561), we carried out a comparative study of generative discursive strategies contained in each work. As support for approaching the musical primary sources, we used the work of Griffiths (1999 and 2005), as well as some commented transcriptions for guitar produced by Koonce (2008) and Chiesa (1974), while the approach to literary sources sought support Hart (1972).