María del Carmen BREA REINA

Original title: La Mujer y lo andrógino en la obra pictórica de Leonardo da Vinci (1452-1519)

Published in Music in Antiquity, Middle Ages & Renaissance

Keywords: Androgyne, Cinquecento, Leonardo da Vinci, Madonna, Quattrocento, Renaissance, Virgin.

Leonardo da Vinci is one of the main exponents of Italian Renaissance painting. In his work the female characters or Madonnas stand out, in many cases with a leading role of great symbolism. Leonardo makes this concept evolve into the figure of the androgynous person, mixing feminine and masculine features to bring a new perspective to his production.