Waldir BARRETO

When everything would appear to man as it is – infinite, from Kant to Viola (1781-1983)

Quando tudo pareceria ao homem tal como é – infinito, de Kant a Viola (1781-1983)

Published in The World of Tradition

Keywords: Keywords: Art, Bergson, Infinite, Kant, Sublime, Video, Viola.

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This essay proposes a theoretical consideration about the possibility of a transcendental analysis of the aesthetic experience with art according to Kantian criticism and the temporal dimension of Bill Viola’s work, taken from the Bergsonian concept of duration.