José María SALVADOR GONZÁLEZ

Original title: La doctrina de Jacob de Sarug sobre la conceptio per aurem como posible fuente literaria en la iconografía medieval de La Anunciación

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Keywords: Conceptio per aurem, Iconography, Jacob of Serugh, Mariology, Medieval Art, Patristics, The Annunciation, Theology.

This paper focuses the attention on the possible influence that the thinking of the Syriac theologian Jacob of Serugh on conceptio per aurem might have had on late medieval representations of the Annunciation. Therefore, after explaining the doctrine of this Oriental thinker by explaining many passages of his writings, ten pictorial images of this Marian theme in which you could glimpse such influence are analyzed. While underlining the prestige of this great writer of Serugh and the wide dissemination of his works during the Middle Ages, the author also emphasizes that the interpretation given in this paper is only a mere conjecture that, even if it looks plausible, is susceptible of enrichment, correction and even rejection, if reliable documentary evidence so require.