Iconographic Analysis of the Façade of the Temple of San Miguel Arcángel, in Ixmiquilpan, Hidalgo
Carmen Fabiola MORENO VIDAL
Original title: Análisis Iconográfico de la Portada del Templo de San Miguel Arcángel, en Ixmiquilpan, Hidalgo
Published in Music in Antiquity, Middle Ages & Renaissance
Keywords: 2 acatl, Augustinians, Façade, Ixmiquilpan, Nahui-Ōlin, Shield, Winged hippocampus.
The Plateresque façade of the temple of San Miguel Arcángel, has a harmonious and elegant composition, with a rich decoration based on grotesques, presenting a clear moralizing and reflective message for the Christian observer of the time; for the indigenous observer, the grotesques could contain the main symbols of their worldview by presenting familiar and mimetic forms, such as the four-petalled flowers representing the Nahui-Ōlin, the flamer cauldron shaped like the sign 2 Acatl, the shields of San Nicolás Tolentino with Atl tlachinolli, the tops of the columns as a representation of the Tlachieloni and the undulating forms like Xonecuilli. This cover also presents the unification of European elements with the local ones, such as the coats of arms that contain the local flora and fauna, as well as the representation of a territorial partiality in the pre-Hispanic way, through the Altepetl.
Iconographic analysis of the Façade of the Temple of San Pablo, in Yuriria, Guanajuato
Carmen Fabiola MORENO VIDAL
Original title: Análisis iconográfico de la Portada del Templo de San Pablo, en Yuriria, Guanajuato
Published in Games from Antiquity to Baroque
Keywords: Apollo, Augustinians, Caliculus, Candelieri, Façade, Hades, Heracles canephores, Yuriria.
The plateresque doorway of the temple of San Pablo in Yuriria, incorporates elements of the classical world with a clear Christological allusion where the representation of Apollo is a prefiguration of Christ and Hades of death through sin, which are in permanent struggle and for this reason they are represented as archers facing each other, sirens are evil beings who tempt with their songs and canephores are carriers of divine grace through the abundance of fruits of the earth and food dishes. The program of the theological discourse is organized in eminently didactic terms where the abundance of nutritious food for man can only be given through divine mercy. The novelty of this Façade is the profuse decoration with caliculus, these are present in all the bodies and in an infinity of compositions, in addition to incorporating in the auction the holy founder of the Augustinian order, of gigantic dimensions, making this one of the most notable convent Façade of the 16th century in Mexico.
Iconographic analysis of the façade of the Nuestra Señora de Loreto Temple, in Molango, Hidalgo
Carmen Fabiola MORENO VIDAL
Original title: Análisis Iconográfico de la Portada del Templo Nuestra Señora de Loreto, en Molango, Hidalgo
Published in Mirabilia Journal
Keywords: Corn, Façade, Glyph, Maguey, Molango, Nahui-Ōlin, Pumpkin.
The façade of the temple of Nuestra Señora de Loreto belongs to the Plateresque style as it presents elements of Romanesque, Gothic art such as the rose window and Mudejar such as the alfiz. But the most outstanding thing that includes the substance of this work is the use, in a somewhat veiled way, of pre-Hispanic elements, figures and symbols distributed throughout the cover as decoration, from the bases of columns and jambs, with glyphs of the corn, stars and agave, passing through shafts with pumpkin plants, the capitals with representations of the Mexica sky, reaching the cross, an element common in form and meaning to both cultures and ending in the rose window, an element that represents the cosmos whose cosmic meaning it is reinforced with the pre-Hispanic symbols of the movement of the stars such as the Ōlin and Nahui-Ōlin.
