Aline Mendonça PEREIRA; Ernesto HARTMANN

Original title: A Sonata para Violino e Piano K304 em Mi Menor de Mozart (1756-1791): relações temáticas e formais das Schemata

Published in The Medieval Aesthetics

Keywords: Galant Style, Schemata, Sonata, Violin and Piano Sonata in E Minor K304, Wolfgang Amadeus Mozart.

This paper analyses the relations between form and Schemata in Wolfgang Amadeus Mozart’s E Minor Violin Sonata K304 (1778). Since this work is the composer’s sole composition in this genre in minor mode and has been attributed with remarkable expressive features once it was conceived during his travel to Mannheim, Munich and Paris – travel that coincide with his mother death – it’s compositional strategies and process are of particular interest. For this reason, through an approach via the Musical Schema concept, we seek to establish logical relations between the composer’s choice for Schemata disposition, form and unity in the work. We conclude that the either reiteration of internal variation process (especially increasing chromatism) in the Schema as the sharing of a set of Schemata on both movements of the work not only support the motivical but also the textural and aural unity, displaying aspects yet not much explored in the compositional process of this First Vienna School master.