Bárbara Dantas

Original title: Angelus ou O toque da Virgem: a Música nas Cantigas de Santa Maria (séc. XIII) do rei Afonso X

Published in Music in Middle Ages and Early Modernity

Keywords: Alfonso X, Architecture, Art, Cantigas de Santa María, Middle Ages, Music, Poetry.

Harmonious as a song, the Galician-Portuguese poetry, systematized by the zéjel metric, was the basis of the poetry of Cantigas de Santa Maria, a compilation that contains reports of miracles and praises to the Virgin performed in the second half of the 13th century at the request of the castilian king Alfonso X (1221-1284), creator, sponsor and supervisor of the work. In Cantigas, reality is overcome by imagination without limits and the relation of poetry with two other artistic forms (Music and image) makes it literary support in which the themes of the songs to the Virgin were formed. Music and image share with the poetry a sensitivity capable of expressing in different ways certain reports of miracles or praise. For this article, I present to you the Cantiga 276 of the Cantigas de Santa Maria. From iconographic and architectural analyzes, I realized the association between church bells, the architecture of the sanctuary towers where they are housed and the melody of the Angelus (The Virgin's Touch).

Georgia Dunes da Costa MACHADO

Original title: Arte y Medicina - Una Relación de Mutualismo Facultativo

Published in

Keywords: Art, History of Medicine, Interdisciplinarity, Medical Humanities, Transdisciplinarity.

As we evolve scientifically, we move away from the art involved in the intrinsic care of medicine. Many of our doctors are more blind, deaf, less tactile, devoid of empathy, as well as massacred by the high number of care they need to perform and the shameful conditions of work and service to which they are subjected and who are obliged to submit their patients. How can we not distance ourselves from models of behavior like that of William Osler (1849-1919)? This work presents different possibilities of using the arts as an example of a tool for reversing the proven loss of empathy of the medicine students. This through interventions in this process, as well as a reflection about the preconception of the hierarchy of knowledge and the feeling of unpreparedness of the faculty for the basic ability of mediation between art and medical-humanistic contents. It is possible, with the involvement of the emotion, as it happens with the musicians of an orchestra, to govern such mediation of an eye in the good final product: a new or old doctor that disturbs and surprises his patient, being a watershed in life of the individual who puts his full trust in him. In these terms, the use of the arts emerges as an important pedagogical resource, oriented to the rescue of the origins of Medicine, being the technologies and medical science incorporated for the benefit of the patient protagonist in a process of voluntary mutualism between medical art and medical science. This desire sums up in the phrases: “The curricular contents should teach not only the auscultation but the Listening; not only the palpation, but the Comfort to those who suffer; and not only to treat but to broaden the meaning of the act of caring”; “the worst man in science is he who is never an artist, and the worst artist is one who is never a man of science.”

Ramón MÉNDEZ GONZÁLEZ

Original title: La Muerte como personaje de la cultura popular a lo largo de la Historia

Published in The World of Tradition

Keywords: Art, Culture, Death, History, Literature, Tradition.

Aside from being part of the cycle of life, Death itself became a very important character in popular culture. Since its first appearance as a Horseman during the Apocalypse, and until nowadays, the character of Death has showed different shapes and has inspired a huge array of sculptors, painters, writers, people of letters, composers, movie makers, illustrators and even video game developers. In each different era of human history, the representation of Death evolved to adapt itself to different idiosyncrasies and ways of understanding the world in each society, as well as the possibilities that technologies offered to these creators of art. The main goal of this paper is to give a brief overview of how the character of Death evolved since its origins to nowadays, through the image of the Western Death that was influenced by the Christian rituals and that became the main anthropomorphism of natural Death.

Bento SILVA SANTOS

Original title: Apresentação: Arte, Crítica e Mística

Published in Art, Criticism and Mysticism

Keywords: Art, Criticism, Mystic.