Benedicta in mulieribus. The Virgin Mary as a paradigm of women in the patristic tradition and its possible reflection in Spanish Gothic painting
José María SALVADOR GONZÁLEZ
Original title: Benedicta in mulieribus. La Virgen María como paradigma de la mujer en la tradición patrística y su posible reflejo en la pintura gótica española
Published in Mulier aut Femina. Idealism or reality of women in the Middle Ages
Keywords: Iconography, Mariology, Paradigm, Patristics, Spanish Gothic painting., Theology, Women.
From the first centuries of the Christian era the Virgin Mary became in respect of the believers a sublime and inimitable model of human, moral and spiritual virtues. This fact has been staged by researchers on Marian iconography as a self-evident axiom, which need not be explained or justified documentarily. Going against this uncritical stance, this paper aims to explain, through a lot of theological and patristic citations, three fundamental aspects or attributes, in which, among many others, the paradigmatic character of Mary becomes real: her supereminence in comparison with the other women, her supereminence in comparison with the other creatures, including angels and saints, and her intercession before God on behalf of human beings. We complement our study by a comparative analysis through which we attempt to relate these patristic and theological sources with some Spanish Gothic paintings in which the three mentioned aspects of the analyzed Marian doctrine could be reflected in some way.
Bioethics in the process of medicine's humanization: an interdisciplinary approach
Euler Renato WESTPHAL
Original title: A Bioética no processo de humanização da medicina: uma abordagem interdisciplinar
Published in
Keywords: Bioethics, Humanization, Interdisciplinarity, Medical Education, Theology.
This essay presents the discussion about humanization in the education of the physicians. This humanization has been necessary because the human being has been included in the contemporary notion of science, which reduced reality to its mechanical aspects. Bioethics in its origins was meaningfully influenced by theology, which had the function of connecting science and healthcare. In search for the rescue of interdisciplinarity in medical schools, the goal is to overcome the dichotomized and segmented model of modern sciences. Theology could be a bridge between the humanization in medical education and the care of the patient in the face of death. The objective is to demonstrate temporarily the manner how interdisciplinarity among bioethics, theology and medical education could propel humanization in medicine.
Erasmus, Biographer of Jerome: Hieronymi Stridonensis Vita (1516)
Victoriano PASTOR JULIÁN
Original title: Erasmo, biógrafo de san Jerónimo: Hieronymi Stridonensis Vita (1516)
Published in Mirabilia Journal 31 (2020/2)
Keywords: Biography, Erasmus, Humanism, Saint Jerome, Theology.
The life of Jerome of Stridon was written by Erasmus as an introduction to the edition of his Opera Omnia (1516). He developed it mainly from Jerome’s own correspondence, the first four volumes consisting of its edition. Erasmus read and imitated Jerome’s work, due to his piety and knowledge since his youth. This is the reason why the Vita Hieronymi will develop around two axes: Jerome according to Jerome and Jerome according to Erasmus. Thus, he conceives life as a forensic speech in which he defends Jerome’s cause and, at the same time, that of Humanism and of the vera theologia, of which he will be a defender and advocate. Thereby, Jerome’s biography turns, so to speak, into an apologia pro vita sua for Erasmus. In this work, we have translated –for the first time in Spanish language– more than a third of its 1565 lines, keeping the Latin text at the bottom of the page. At the same time, we have studied both Jerome’s and Erasmus’ context, focusing especially on the almost total complicity of both theologians and humanists.
Nosce teipsum in Ramon Llull’s work
Jaume MEDINA
Original title: Nosce teipsum en l’obra de Ramon Llull
Published in Ramon Llull. Seventh centenary
Keywords: Anthropology, Catalan Literature, Ethics, Medieval Philosophy, Middel Ages, Ramon Llull, Theology.
Even though the presence of the Delphic precept «γνῶθι σαυτόν» («nosce teipsum») in Ramon Llull’s work is scarce, the research done in the present study reaches a twofold conclusion: firstly, the master's knowledge of the precept; secondly, the importance he gave to it in some central passages of his production.
Orthodox Christianity and “Modernity”
Eirini ARTEMI
Published in
Keywords: Christianity, Modernity, Post-patristic, Theology.
Nowadays, there is a question about the relationship between patristic and “after patristic” theology, according to Orthodox theology. This theology comes from the writings of the Fathers, the tradition of the Orthodox Church but also from the general revealed truth of the Church. The opposite of orthodox theology is “after patristic” theology. The latter is an extension of the various newer theologies of western Christian Churches. They make a relevance of theology and feminist, or politics, or different social problems, etc. What is the view of the Orthodox Theology, when many Orthodox support these kinds of theologies and some others have negative attitude to these theologies. Is there any real connection between patristic theology and “modern theology”?
The Controversy about the Translation of Origen of Alexandria
Anselmo MATILLA
Original title: La controversia en torno a la traducción de Orígenes de Alejandría
Published in Mirabilia Journal 31 (2020/2)
Keywords: Antiorigenism, Heterodoxy, Interpretation, Origenism, Philology, Theology.
In Church’s history, the 4th and 5th Centuries A. D. are characterized by the for or against theological thoughts associated with Origen of Alexandria. Two of the prota-gonists in relation to this argument are saint Jerome and Rufin of Aquileya, each of whom will translate the Περὶ ’Αρχῶν. Both translations will be an object of huge con-troversy between them. This article addresses the different ways in which both authors translate that origenean work from the saint Jerome’s apologetic treatise against Rufin of Aquileya (Adversus Rufinum).
The abortion of useless life: the life between secularization and the sacred
Euler Renato WESTPHAL
Original title: O aborto de vida inútil: a vida entre a secularização e o sagrado
Published in
Keywords: Bioethics, Cultural Heritage, Sustainability, Theology, Universal Human Rights.
This article approached the utilitarian ethic view about the human dignity. According to utilitarianism, the human life does not have dignity and it does not have worth by itself. The infanticide could be a possibility to free the parents of children who have any handicaps. Human life only has value if there is self-consciousness and a life project. From that moment on, the genetic improvement would also be justified by the PGD (Preimplantation Genetic Diagnosis) so that children would not get serious diseases. Which are the limits between eugenics and therapy, among utility and human dignity? Alberto Giubilini, Francesca Minerva, Peter Singer, Hannah Arendt, Jürgen Habermas, Joachim Jeremias, Oscar Cullmann were partners of discussion in this article. It is remarked that the human dignity, the universal rights of human being are heritages of the Judeo-Christian theology. God unconditionally loves the sinner, the patient, the weak and the excluded. From that moment on, the Christian theology indicates to the solidarity of God to those who are considered, by the liberal eugenic, “not worth living”. The critical dialogue among bioethics and theology has the aim of seeking criteria so that the human life will not be instrumentalized by interests of human designers.
The doctrine of Jacob of Serugh on conceptio per aurem as a possible literary source in medieval iconography of The Annunciation
José María SALVADOR GONZÁLEZ
Original title: La doctrina de Jacob de Sarug sobre la conceptio per aurem como posible fuente literaria en la iconografía medieval de La Anunciación
Published in
Keywords: Conceptio per aurem, Iconography, Jacob of Serugh, Mariology, Medieval Art, Patristics, The Annunciation, Theology.
This paper focuses the attention on the possible influence that the thinking of the Syriac theologian Jacob of Serugh on conceptio per aurem might have had on late medieval representations of the Annunciation. Therefore, after explaining the doctrine of this Oriental thinker by explaining many passages of his writings, ten pictorial images of this Marian theme in which you could glimpse such influence are analyzed. While underlining the prestige of this great writer of Serugh and the wide dissemination of his works during the Middle Ages, the author also emphasizes that the interpretation given in this paper is only a mere conjecture that, even if it looks plausible, is susceptible of enrichment, correction and even rejection, if reliable documentary evidence so require.
The second level of St. Bonaventure’s Transcendent Aesthetics: Speculating the divine Trinity through the good
José María SALVADOR-GONZÁLEZ
Published in Mirabilia Journal 31 (2020/2)
Keywords: Christ, Contemplation, Good, St. Bonaventure, Theology, Trinity.
After pointing out that St. Bonaventure of Bagnoregio conceives his Aesthetics as a free way to be able to ascend contemplatively towards God, this article seeks to explain the surprising and ingenious “arguments” (deeply imbued by faith) that this author proposes to base the second level of the “transcendent” stage of his peculiar Aesthetics. In the first four levels of his Aesthetics, Bonaventure establishes this initial ascent to God by considering the external beings of the material world as vestiges of the Creator (first and second levels), and then by examining our mind as an image of God, in which he can be seen reflected in a mirror (third and fourth levels). St. Bonaventure states that in the third stage of his Aesthetics (the "transcendent" stage), the human mind can look over itself to speculate on God in his essential property as the Supreme Being (fifth level) and in his personal properties as highest Good (sixth level). Our article focuses exclusively on the expression of this sixth level of Bonaventurian Aesthetics.