Waldir BARRETO

Original title: Quando tudo pareceria ao homem tal como é – infinito, de Kant a Viola (1781-1983)

Published in The World of Tradition

Keywords: Art, Bergson, Infinite, Kant, Sublime, Video, Viola.

This essay proposes a theoretical consideration about the possibility of a transcendental analysis of the aesthetic experience with art according to Kantian criticism and the temporal dimension of Bill Viola’s work, taken from the Bergsonian concept of duration.